Dustin Hoffman has been one of Hollywood’s finest actors for more than 50 years. His best work, according to Rotten Tomatoes.
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For more than half a century, Dustin Hoffman has been one of the best actors in Hollywood. After starring in 1967’s The Graduate as Benjamin Braddock (a character we can all identify with), he went on to star in films by Sidney Lumet and Sam Peckinpah, providing some of the most memorable roles of his career. At the risk of sounding like a broken record, Hoffman is always at his best when he takes on challenging roles.
1. The Graduate (88%)
In 1967, Dustin Hoffman’s career was launched with this film. A subplot in which Mrs. Robinson seduces the protagonist of The Graduate is well-known; yet, this film’s staying value comes from its relevant themes. Ben Braddock, the young man Hoffman portrays, is a bright young man who has graduated from college and has come to terms with the fact that he must now begin his adult life. After years of preparing for adulthood, he has no idea what to do when it comes time for him to face the realities of adulthood. Every one of us has been there at some point.
2. Rain Man (89%)
Tom Cruise and Dustin Hoffman’s acting prowess was on display in this emotional drama. Charlie, whose father died and left money to a brother he didn’t know he had, proved that Cruise wasn’t scared to play a character who was unlikable. That’s when Charlie sets off on a road trip in search of Raymond (Hoffman), his autistic younger brother. Charlie discovers that Raymond’s condition allows him to count cards while he drives back home to collect their inheritance, so they make a pit stop at a casino to clean up. The two-hander “Rain Man” is a powerful one.
3. Tootsie (90%)
Tootsie is one of the funniest and sweetest co
There aren’t many comedies as funny or heartwarming as Tootsie. This movie stars Dustin Hoffman as Michael, an actor with no male roles to perform, so he disguises himself and goes by Dorothy in order to acquire a female role. Because of the lack of strong female parts in Hollywood, this one would be a good contender for a female-fronted reboot. A big part of what makes the notion so appealing is that Michael is taking on his most difficult acting challenge yet – convincing people that he is actually another person.
4. TIE: Kramer vs. Kramer (91%)
Kramer vs. Kramer is one of the saddest movies ever made because of Dustin Hoffman and Meryl Streep’s unmatched talents. Suddenly, Streep vanishes without a word, leaving Hoffman to raise his child on his own. Afterwards, she reappeared and started divorce proceedings.
Hoffman had to learn how to be a single parent while Streep was away, and now he may lose custody of their son because Streep wants it. A judge asks the boy to choose between his mother and father, as many children of divorce are compelled to do.
5. TIE: Midnight Cowboy (91%)
Despite the fact that Midnight Cowboy is actually Jon Voight’s film, Dustin Hoffman’s performance in the movie is unforgettable. As Joe Buck, a country guy who travels to New York with dreams of being an escort for wealthy socialite women, Voight plays the role. When he finally makes it to New York City, he realizes that life isn’t going to be so simple. Ratso Rizzo’s ill character Ratso Rizzo is shown to have a horrible history of sexual abuse at the hands of his grandmother when he becomes a flat-out prostitute and moves in with Hoffman’s ailing character. It’s a very depressing film, but it’s also one of the most well-made ones I’ve ever seen.
6. TIE: All the President’s Men (93%)
All the President’s Men is one of Alan J. Pakula’s many political thrillers of the ’70s that directly confronts the Watergate issue. In their roles as journalists Carl Bernstein and Bob Woodward, played by Dustin Hoffman and Robert Redford, respectively, fight valiantly to uncover the truth about the scandal and speak with the mysterious “Deep Throat” figure who finally blows the lid off the whole thing. The script was adapted by William Goldman directly from the book by Woodward and Bernstein of the same name. As a testimony to the power of free speech and a masterful thriller, All the President’s Men.
7. TIE: The Meyerowitz Stories (93%)
As the central character in Noah Baumback’s The Meyerowitz Stories, Dustin Hoffman’s portrayal in the film had to be compelling despite his little screen time. The fact that he neglected Adam Sandler while having Ben Stiller with his second wife has resulted in Stiller becoming a successful, ambitious, and emotionally stable businessman, while Sandler has become something of a loser who finds it difficult to connect with others on a personal level because of it. Hoffman’s portrayal of the patriarch at the heart of this family-driven comedy-drama anchors the entire picture.
8. Lenny (95%)
Lenny Bruce is widely regarded as the father of modern standup comedy, and is often referred to as such. Throughout his career, he was frequently prosecuted for obscenity. By authoring his own content and utilizing it to take on the establishment, he transformed the form.
The jokes about the mother-in-law were all the same before Bruce got around. Because Bruce Springsteen is such a fascinating subject, and because Dustin Hoffman’s portrayal of him as Bruce is so riveting, this biopic based on his life rarely becomes an issue.
9. Little Big Man (96%)
Calder Willingham, who wrote the screenplay for Paths of Glory, collaborated with Arthur Penn on the direction of Little Big Guy, a western about a white man raised by Native Americans. Cultural and sociological disparities between American pioneers and Native Americans are the film’s primary focus. Little Big Man, which was produced in 1970, exploited the Western genre’s tropes to obliquely condemn the Vietnam War. Critics have interpreted it as a protest against the war because of its anti-establishment message and portrayal of the US military in a poor light.
10. Death of a Salesman (100%)
Arthur Miller’s Death of a Salesman, usually regarded as the best American drama ever written, was adapted for television with Dustin Hoffman playing the title character of Willy Loman. Volker Schlöndorff was able to keep the focus on the characters and their tale because the play was being made for television, and he recruited Miller himself, who was naturally protective of the material, to adapt it for the screen. The film adaptation of Death of a Salesman, which has been nominated for ten Emmy Awards, is unquestionably the best.