For decades, the Hollywood industry was a permanent fixture in the American landscape. Here are some of the best movies of the ’20s, including Casablanca.
A new Hollywood business had evolved by the 1940s. The Wizard of Oz, Cleopatra, and Gone with the Wind, among other blockbusters from the last decade, remain among the highest-grossing films of all time. Gone With the Wind’s gross record has never been broken. Due to consumers’ infatuation with cinematic magic, movie studios were able to make billions of dollars nowadays.
On December 11, 1941, the United States formally entered the war, marking the start of the decade. During this time period, studios experienced a decline in audience and, as a result, a decline in profits. Movies, too, have evolved. Men’s concerns about women entering the workforce in large numbers have given way to a more in-depth exploration of women’s inner lives and the emotional upheaval they experience as a result of living in a patriarchal society.
1. Casablanca (1942)
Humphrey Bogart and Ingrid Bergman star in Casablanca, a classic war and romantic film about two lovers who reunite in Vichy-Morocco. Everybody Comes to Rick’s, by Murray Burnett and Joan Alison, was the inspiration for the film Casablanca. Julius and Philip G. and Howard Koch wrote the screenplay for the unproduced play.
Here are the 10 most romantic lines from Casablanca:
Rick Blaine, a nightclub owner and American ex-pat living in Casablanca, meets his former sweetheart, Ilsa Lund (Ingrid Bergman), and must utilize his dirty Casablanca operations to get her and her husband to the United States. As with every Hollywood war film made at the period, this one serves as effective Allied propaganda as well. It depicted the Nazis and the Vichy French administration as nasty. It is widely regarded as one of the greatest films ever made.
2. Rebecca (1940)
Alfred Hitchcock recast Joan Fontaine in Suspicion the year after she starred with Laurence Olivier in Alfred Hitchcock’s Rebecca.
First American-produced film by Alfred Hitchcock and based on Daphne Du Maurier’s gothic novel Rebecca. As was the case with many gothic novels at the time, this one was a huge hit with female readers. Instead of welcoming the 1940s growth of the “women’s cinema,” which focused on women’s intimate life and the fears that went along with it, they scoffed.
Rebekah, Joan Fontaine’s new husband’s deceased wife, is a fierce rival to her in Rebecca.
Most women’s flicks portray a young and inexperienced lady who finds herself in a perilous circumstance because of her patriarchal society.
3. Mildred Pierce (1945)
Mildred Pierce, starring Joan Crawford and Ann Blyth, is based on James M. Cain’s 1941 hardboiled novel of the same name. In addition to Double Indemnity (1944), Serenade (1937), and The Postman Always Rings Twice (1937), Cain is most known as the author of the cinema noir (1934). For her work as Mildred Pierce, the mother of Veda, a spoiled social climber who yearns to be accepted into the upper crust, Crawford won the Academy Award for Best Actress in a Supporting Role. Veda’s lust for money and status, as in other noir films, will drive her and her family apart.
4. It’s A Wonderful Life (1946)
Frank Capra, a legendary Hollywood director, directed It’s a Wonderful Life for Liberty Films in 1946. James Stewart and Donna Reed play George Bailey and Mary Hatch, respectively, in the holiday film. Philip Van Doren Stern’s short tale “The Greatest Gift” served as the inspiration for the film. To help George realize how fortunate he is, a guardian angel appears to him on Christmas Eve.
Despite its widespread acclaim as one of the best films ever made by Hollywood, It’s a Wonderful Life was a critical and commercial failure when it was first released in 1946. Liberty Films went bankrupt, and Frank Capra’s career came to an end as a result of the film.
5. Lassie Come Home (1943)
‘Lassie Come Home’ is the first of a seven-part series about a little boy and his dog, Lassie. A child-friendly film in the tradition of The Wizard of Oz (1939) or Snow White and the Seven Dwarfs (1937), Lassie Come Home was shot in Technicolor and became a major draw for moviegoers. In the 1930s and 1940s, numerous Hollywood films were based on books, including Lassie Come Home, by Eric Knight. Directed by Fred M. Wilcox, the movie has left an indelible mark on Western cultural memory, with one of its most iconic animal characters ever making an appearance.
6. Abbott And Costello Meet Frankenstein (1948)
During the 1940s and 1950s, Bud Abbott and Lou Costello, two aspiring comics, founded Abbott and Costello, a successful comedy team. Abbott and Costello Meet Frankenstein was their debut comedy-horror film. Dr. Jekyll and Mr. Hyde, along with the Mummy, would appear in other works. A predecessor to Mel Brooks’ later monster parodies was their horror-creature spoof.
More importantly, Abbott and Costello’s fame during and immediately following World War II reflected the severe need for laughter in the United States through one of its worst decades.
7. Rope (1948)
Rope, another Hitchcock classic, is a psychological crime thriller with Hitchcockian overtones. Patrick Hamilton’s 1929 play of the same name is based on this film. There is a James Stewart in it, who would go on to star in two more Alfred Hitchcock films, Rear Window (1954) and Vertigo (1958). (1958). His first Technicolor film, Rope is known for its unique editing approach, which gives the impression that the entire movie was shot in a single take.
like passengers on a train with no one to talk to (1951)
Ropeis a film about a murder that brings two guys together in a state of psychological terror.
8. Double Indemnity (1944)
Double Indemnity was a B-movie, as were many of the films noirs of the 1940s. A backlog of 1940s films was screened in France for audiences and critics early after World War II, reviving interest in the cinema noir subgenre. French cinema critics adored the ferocity of the genre’s subject matter, which included murder, lust, affairs, money, and greed. The French term “film noir” comes from the famous film noir Double Indemnity, in which a murder and a lust crime are committed under the cover of darkness (black movie). During that time period, the genre reflected the fears of white men as they witnessed the first time in American history that white women were working and earning their own money.
9. His Girl Friday (1940)
Howard Hawks directed another Cary Grant vehicle, His Girl Friday, a romantic screwball comedy from 1940. A newspaper editor tries to woo his top reporter and ex-wife, Rosalind Russell, to work on one more article with him in the film, which also stars Rosalind Russell. It was based on Ben Hecht and Charles MacArthur’s 1928 play The Front Page.
Bringing Up Baby with Katherine Hepburn, Grant’s first film with Hepburn, was a big disappointment two years previously.
A classic “war of the sexes” romantic comedy from the 1940s, His Girl Friday was one of the earliest examples of the genre’s rise to mainstream success. Films in this genre depicted the gender wars of the time as comical antics in which the man triumphed over the woman through cunning. In contrast, the male frequently wins in a noir film by murdering his beloved.
10. Citizen Kane (1941)
Orson Welles’ Citizen Kane, widely regarded as one of the greatest films ever made, broke many of Hollywood’s cinematic traditions when it came out, including the use of depth of field views.
An emotional impoverishment that results from human greed is depicted in the film as a cautionary tale. Aside from the fact that it was co-written by Welles, who also co-wrote The Wizard of Oz, it was also produced and directed by Welles. Even though Citizen Kane was a critical and commercial failure at its initial release, it would go on to earn the title of greatest film ever only a few decades after its initial release.